would be used which would be considered transparent and corrective only.
Compression
The second most common type of processing applied would be compression. Again this can be done both digitally and with analog. Units like the SSL buss compressor are popular for imparting a distinct sound to the mixes when appropriate. Compressing can 'gel' or 'glue' a mix together and make it seem more whole. This is a result of the transients being reduced and tightening up of the dynamics of the mix. Perhaps the snare and kick were poking out of the mix a little, compression can tame them making the mix more cohesive.
Multiband
Multiband processing is very popular now especially in plugin form. This allows compression of certain bands only. This is a good way to fix problems in the mix without affecting other areas. If the kick and bassline were too prominent they could be compressed while allowing the rest of the mix to breath. Similarly if the top end is too harsh in places then multiband can be used to only affect those areas needed.
Getting wide
The third major area looked at in mastering is width. By manipulating the stereo and mono components of a mix the sound can be widened making it seem more 3D. Again multiband processing can be used here to affect only certain areas of the mix. Care has to be taken in order to not over do this to the point of phase problems. In this case if too much widening happens then when the mix is played on a mono system certain parts of the mix might cancel out and not be heard.
Conclusion
When all is said and done the finished master should be pleasurable to listen to on a variety of playback systems. This includes headphones, computer speakers, car radio, home stereo and in many cases also club systems. When a mix translates across all of these areas then the mastering job should be considered a success.
Jesse Skeens
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