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Melody in Songwriting: Tools and Techniques for Writing Hit Songs (Berklee Guide)

Melody in Songwriting: Tools and Techniques for Writing Hit Songs (Berklee Guide)

Melody in Songwriting: Tools and Techniques for Writing Hit Songs (Berklee Guide)

  • 182 pagesSize: 12" x 9"Composer: Jack PerriconeISBN: 063400638X

(Berklee Guide). Melody is a subject too often neglected in the teaching of music. This unique resource gives melody that attention it deserves, and proves that melody writing is a skill that can be learned. Through proven tool and techniques, you will learn to write interesting melodies, how melodic rhythm influences rhyme, what makes harmony progress, and the many dynamic relationships between melody and harmony. This clear and comprehensive approach to songwriting unlocks the secrets of popul

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Best Of Nashville Mandolins: 25 Songs

Best Of Nashville Mandolins: 25 Songs

Best Of Nashville Mandolins: 25 Songs

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Top 50 Praise & Worship Songs 2013

Top 50 Praise & Worship Songs 2013

Top 50 Praise & Worship Songs 2013

  • 738597212727

50 of the year s most popular CCLI worship and praise songs are now available in this new super-sized collection, Top 50 Praise & Worship 2013. Those who want a long-play, cohesive worship experience will find this triple disc set packed with the songs they love to sing along to. This set will be a must-have for every worship music fan!

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Writing Songs Nashville Style – Song Structure

Writing Songs Nashville Style - Song Structure

If a songwriter wants to create a song that hopefully, will be recorded on an artist's CD so he can make money from it, he knows he must arrange it in a structure that makes sense to the artist and eventually listeners. He doesn't need to Invent a structure for his new creation, he just needs to choose from several existing structures. He knows whichever form he chooses, his song will probably have an intro, 2 or 3 verses, several choruses, maybe a bridge, and/or an instrumental section and an ending.

The verse is the vehicle for conveying the story that is the song. Its major responsibility is to lyrically and musically, "set up" (or lead to) the chorus. The chorus is the central idea of the song and the verse is the "information" about the main idea. The second verse is more information about the main idea, information that should lead the listener to the conclusion

Each line of each verse should move the story along without repeating the same information. The melody should be essentially the same from verse to verse to create familiarity. A melody that stays relatively the same makes the listener feel comfortable and this comfortable feeling allows them to listen closely to the lyrics and follow the story. A repeating melody is easier for the listener to remember. After they hear it a few times, even if they are not trying to remember it, they probably will.

The chorus contains the "nut" of the song, the central meaning, the essence of the story. Choruses like "I Can Love You Like That," "Old Time Rock and Roll" or "The Wind Beneath My Wings" are memorable choruses. The "hook," the catchiest, most memorable part of the song is most of the time in the chorus. Songs can have other hooks, but the main one is usually the chorus. Verses normally concentrate on details, while the chorus makes a broader statement that bears more repetition. The melody of the chorus repeats each time we hear it. The song's title is usually contained in the first and/or last line, and possibly more. The lyric and melody are usually the same each time.

The bridge relieves the "boredom factor." It is usually placed about 2/3 of the way into the song. (After the second chorus in a verse/chorus form) That's normally when people may begin to tire of the song and need a break of some type. The bridge wakes the listener up and helps them to refocus on the song, and can add new story lines. The bridge can also be a guitar, piano or other instrument solo. This is the chance to introduce a new melody to keep things interesting.

Hooks are also important in a song. A hook is any part of the song that "hooks" the listener causing them to remember parts of the song. Many times the title or chorus is a hook. A hook can also be a clever lyric, a good vocal part, even a sound or effect added by an engineer in the final mix.

The form or structure of a song is critical to it's success. Make sure you understand song form before you begin

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Home Recording Studio Tips: Learn How to Record Songs at Home

Home Recording Studio Tips: Learn How to Record Songs at Home

Almost all aspiring recording artists dream to achieve professional, affordable recording at home without having an engineering degree. You too can record songs easy, cheaply with great sounds as long as you understand the rules of recording professional quality sound at home.

If you wonder if it is possible to make professional sounding recordings at home, the answer is yes to this question. Indeed, you can record professional sound at home without spending a fortune.

Sound, on its journey to recording software, requires a simple pathway to follow which is free of obstructions. In the absence of this pathway, it will be extremely prone to injury which would result in sudden loss of fidelity and quality. Nobody aims to get amateurish, thin and distorted sound before it even arrives to the recording software.

There are 3 simple ingredients for successful home recording:

The use of correct, affordable and simple external input device. Generally it is not recommended to use a built-in computer sound card and give in to the temptation to make your source sound travel through multiple effects units before it reaches to the recording software.
The knowledge of capturing and retaining healthy sound. The primary goal should be to keep the sound clean going on. This is the most important element for getting sound quality.
The use of easy recording software.

Pre-planning of the recording process, or in other words, letting your song take shape in your head before you start to record your song, will be helpful in achieving your home recording goals.

During recording songs, you need to decide on what your home recording really need. What moods are intended and how can we make the instruments to support these moods? With successful pre-planning, the song will be appropriately dressed for the weather outside which is the mood of the song. This step requires some imagining the instrumentation, style of performance and some decisions on the desired mood for the song.

Knowing what you want will help you serve your song well and effectively. Because you can start recording fast when you manage to remove thousands of unnecessary possibilities from the table. The remaining of the procedure right after you cleared the road ahead will be a fun and very simple to do recording session. This is the time when you can hear the song in your head.

In home recording studio, the source sound can be altered in many unexpected ways because most probably the recording takes place in a room which was not specifically designed for audio recording. At this point it is vital to take control of the things which we can; such as setting the volume input properly.

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Top 100 K-Pop Songs for March 2014 Week 3

Here's my top 100 K-Pop Songs chart for March 2014 Week 3 (week ending March 22, 2014). Based on my personal preferences with some influence from the weekly ...
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Chimes of Freedom: The Songs of Bob Dylan

Chimes of Freedom: The Songs of Bob Dylan

Chimes of Freedom: The Songs of Bob Dylan

  • 4 CD- 76 tracks from 80 artists
  • Digital Download Available on http://music.amnestyusa.org/

2012 four CD collection containing music from Patty Smith, Rise Against, Pete Townshend, Diana Krall, My Morning Jacket, Sting, Lenny Kravitz, Jackson Browne, Sugarland, Joan Baez, Flogging Molly, Joe Perry, Bad Religion and many others. Two iconic forces that have impacted the past 50 years -- the life-saving human rights activism of Nobel Peace Prize-winning Amnesty International and the incomparable artistry of Bob Dylan -- are being saluted by musicians who contributed new or previously unr

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Nashville “Best Songs Come From Broken Hearts”

Clip from Nashville featuring "Best Songs Come From Broken Hearts" by Connie Britton (Rayna James). Song available NOW on iTunes: http://bit.ly/HhUGm2 Get mo...

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Songs 4 Worship: Country

Songs 4 Worship: Country

Songs 4 Worship: Country

  • Brand Name: WEA CORP Mfg#: 00024008
  • Shipping Weight: 0.22 lbs
  • Manufacturer:
  • Genre: Contemporary Christian Music
  • All music products are properly licensed and guaranteed authentic.

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Writing Songs Nashville Style – Songwriter’s Tool Box

Writing Songs Nashville Style - Songwriter's Tool Box

In the old days I used manila file folders I kept in a desk drawer. But now I use a computer to do that. I can bring up my word processor, open the file I want, and then save that file to a folder where I keep the songs I'm currently working on. Then the next day all I have to do is bring it back up because I know where it is.

I have another folder for completed lyrics and one for song ideas. This system helps keep me organized and prevents me from sabotaging my own progress by my naturally disorderly habits. I just have to remember to back up my work from time to time in case the system crashes.

I use to be like some of you out there. Everytime I got an idea for a song I would write it on whatever piece of paper I could find at the time. Many times it was just a scrap piece of paper, an envelope or a business card. And we all know what happens to all those little pieces of paper. Getting a computer, and using it to write my songs and help me keep them organized is the best thing I ever did. If you aren't using a computer in your songwriting, I would encourage you to start as soon as you can arrange it.

To be a great songwriter, you need to have a good command of the English lan-guage. You don't have to be Shakespeare, but you're trying to move listeners emotionally and sometimes that takes using just the right words. There are three publications I use to help me find the right words for my lyrics.

The first one is the good old dictionary. There are times I need to clarify a word to make sure it means what I think it means. I also use it to expand my vocabulary so I have more words at my disposal.

Next, I use a Thesaurus. A Thesaurus gives me alternate words that mean the same thing as the original word. This helps me tell my story without boring the listener by using the same words all the time. It also gives me new ideas, and new angles for my original idea. Say you're writing a song about a girl who loves to dance. So you go to your thesaurus and enter the word "dance". In the results you find words and phrases like promenade, masquerade, shimmy, trip the light fantastic and cut loose that are all related the your original word, dance. Even of you don't use all of these, using even some of them will make your song more interesting. Chances are you would have never thought of all of these without your trusty thesaurus.

The last tool I use to help me when I write songs is a rhyming dictionary. I use a slant rhymer. A regular rhyming dictionary will only give you what are called perfect rhymes. If you wanted to rhyme the word "Love", a regular rhyming dictionary would only give you words like of, dove and above.

A slant rhyming dictionary would also give you words like because, was, rough, enough, cut, words where the vowel sounds rhyme but the ending may be different. This is perfectly all right in modern songwriting. If you are one of those who goes crazy if all your rhymes are not perfect,

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