Mastering Leatherworking Patterns
Leatherworking is a primary trade skill in the World of Warcraft. It deals with the making of items from the skin of animals. It could be armour, quivers, kits, drum skins, key chains, etc. Classes that can benefit from leatherworking patterns are those that use or wear leather extensively in their respective trades. They include hunters, shamans, rogues, druid, etc.
Leatherworking is perfect for those who intend to produce amours either for personal use, sale to friends or for auction trade. Being proficient in skinning is a skill that you must have to be a successful leatherworker. There are three types of specialisation for leatherworkers;
The Elemental – produces items that increase your resistance level, ideal for rogues and druids.
The Tribal – produces items that rewards intelligence and stamina, also ideal for druids and rogues
The Dragonscale – produces mail armours that are used by hunters and shamans
Choosing a specialisation is based on user play style preference – personal usefulness or auction value or what is needed by the guild. There are a number of leatherworking patterns available to create items; although some patterns incorporate items such as gems, pearls, scales, stones, etc, the basic item ingredient in any pattern is the type of hide and thread.
Your skills increase if you make items that are have a high difficulty rating or, if you crate items that has the lowest ingredient cost at each skill level. The items that you could make are limited to the leatherworking patterns available for such – the patterns are colour coded (Grey, Green, Yellow, Orange and Red). To get other items, you have to take them off mobs or buy them from other players or NPCs. There are guides to leatherworking patterns readily available online to help in the planning and levelling of creating items. If you select an item, the guide tells you exactly what ingredients are needed to create it.
Chris has written this article and he likes to write and share articles on topics like leatherworking patterns and leathercraft patterns
.
Want to get the absolute best rates and best quality when you record your album? Check us out! We provide THE best quality recording at the best rates for Nashville AND Los Angeles. You won't find better. Click here.
Tips For Mastering the Interview
Daily I coach job-seekers on how to make themselves marketable in today's tough job market. I review hundreds of resumes a day and conduct on average 15-20 interviews per week. Here's some sound advice that I share with my candidates:
1. Do your research. Take the time to research the company that you are interviewing with. Take the time to research the companies that you would "like" to interview with and take the time to research the "person" that you are interviewing with. Why? Because it gives you an advantage when interviewing. When researching the company that you have secured an interview with, jot down a list of questions to ask in the interview based upon your research. When researching companies that you are interested in interviewing with check their job boards and see if there is a job open for which you qualify. When researching the "interviewer," wow them in the interview by mentioning some of the things that you may have found that they are interested in. Example: You're being interviewed by David Carter. While researching the company you find that Mr. Carter was recently named employee of the month, or just received a promotion or orchestrated the company's volunteer effort with Habitat for Humanity. Casually mention it in the interview.
2. Network, Network, Network! Networking is one of the most important things that you can do to advance your career to the next level. Whether you are an entry level job-seeker, an experienced hire or a seasoned professional, the relationships that you build or have built will be crucial in how your career progresses. In today's job market there are millions of job-seekers. If you have someone that can put your resume in the hand of a hiring manager, CEO, business owner or recruiter, it gives you the leg above the competition who has only "applied on-line."
3. Resume Writing. Just because it's free doesn't mean it's good. If your mom, best friend or girlfriend wrote your resume, that doesn't mean it's polished and professional. While you can appreciate their effort to assist you, having an HR professional or Resume Writing company review, critique or reconstruct it, might be a good idea. Resumes are used to weed you in or WEED YOU OUT! Your resume is your first impression. Make sure it's a good impression and accurately represents your skill set.
I would also encourage you to have multiple resumes and that they are specifically targeted to the job and company for which you are applying.
4. Interviewing Skills. Role play, role play, role play. I encourage potential candidates to role play their interview with someone. This will help to eliminate some of the nervousness by anticipating some of the questions and being able to better articulate your responses. I also encourage candidates to "prepare a short story." Oftentimes, interviewers will ask "Tell me something about yourself." They are NOT asking you to tell them things that are listed on your resume.
Pages: 1 2Dubstep Music Mastering - Part 6
In this final part of our mini guide I am going to give you a real world set up you can use on your dubstep track. Applying these processes will give you a much louder master, ready to send out to labels and distributors.
Real world master process:
Start with an EQ, remove the subsonic frequencies using a linear phase EQ, low cut at around 25hz (even in dubstep music as harmonics this low do not add any thing to the track). Use the EQ to add some broad sweeting to the tracks top and bottom ends, a boost at around 70-80hz, wide Q, 1 to 3db boost. Then a 2/3db boost at the top from about 8khz- 20khz depending on the track.
Remove any muddiness from around 200-400hz using a precise cut of about 1 to 4db remove any problem frequencies using surgical cuts with very narrow Q settings. The best fault-rectifying mastering EQs are linear phase EQs because they have a very transparent sound, and do not add any coloring to the mix. This works well for dubstep as it keep the mix sounding 'true'.
Then move on to the compressor, a low ratio of around 2:1 works well for dubstep with 3db of gain reduction, using an auto release setting. This will help bring the dynamics of the track in line. It's generally not a good idea to EQ after compression because aggressive EQ setting will cause peaks above the 0db threshold and you want to ensure that the compressor is working in full. You can try using a multi band compressor before the limiter to control the compression of different timbre sections.
The last process will be the limiter, or maximizer. Try moving the fader down until the peaks of the track are being dealt with to about 3db of reduction, but with out causing to much distortion. Even if you like your dubstep distorted, its not needed or wanted at this stage.
To get even more volume out of your track you may consider the oxford inflater or the UAD precision maximizer, these are 'psychoacoustic' processors and will maximize perceived loudness with out resorting to sometimes problematic limiting and ultramaxamizing. Dubstep producers have been using this processor to great effect.
Meet load of dubstep music producers. Talk about dubstep and get dubstep help at our dubstep forum
Want to get the absolute best rates and best quality when you record your album? Check us out! We provide THE best quality recording at the best rates for Nashville AND Los Angeles. You won't find better. Click here.
Master the skills to create your very own manga!
Expert manga artist Mark Crilley guides you to another level with this powered-up drawing book. Complete your Crilley collection with this third installation, which elevates the instruction to focus on drawing methods to help you create distinctive and detailed professional-level manga art. Through 40 in-depth step-by-step demonstrations not covered in other Mastering Manga books, Mark reveals his secrets for adding color, how to draw
List Price: $ 24.99
Price: $ 22.49
Want to get the absolute best rates and best quality when you record your album? Check us out! We provide THE best quality recording at the best rates for Nashville AND Los Angeles. You won't find better. Click here.
The Basics of Audio Mastering
What is audio mastering? There's quite a lot of opinions on what it means exactly so let's look at the general process music production.
After the mixdown
After a track is mixed it is generally sent off to a mastering studio to put the finishing touches. Most mixes come in at less than 100% of their potential so it's the mastering engineers job to correct any mistakes as well as 'sweeten' the mix. Done correctly this should give the track the right balance in frequency content, width, dynamics and of course in this day and age, loudness.
Depending on the state of the mixdown the mastering applied can be both corrective and enhancement oriented. Hopefully it's the latter more than the former. When correcting must be done there is a balance that must be made. Any change in one aspect of the mix generally affects another. For instance if a vocal is not clear enough some eq might be added to bring it out. In turn though this could cause other elements in the mix to stand out too much. In this respect there is always a give and take.
Comparison to other tracks
Another aim in mastering is to make sure the finished song stands up against its peers when played side by side. This is the primary cause of the 'loudness war' as each artist feels the need to compete with other artists level of loudness. This has led to an escalation of loudness levels to the point where music is crushed in the pursuit of higher levels.
Audio Mastering Tools:
Hardware or software?
Some of the tools used for mastering range from digital plugins to old vintage gear. There's always a good debate on the merits of both, especially whether or not digital can stack up. Well known high end digital hardware units like the Weiss EQ-1LP are regarded as superb digital eqs, employing linear phase eq methods. Compressors such as SSL, Neve, and Manley might be used in the analog domain while their digitally emulated counterparts exist in plugin format.
Listening tools
Beyond these tools is the need for an acoustically suited room and monitoring system. And finally of course the most import tool is the ears and experience of the engineer.
Techniques for Audio Mastering
Equalization
Most of the basic techniques for audio mastering are similar to the mix process itself. The track is evaluated to identify any problems first. If these are frequency related then a common method is to use equalization to re-balance the frequency spectrum until it is considered even. Due to either the ears, room, or monitors of the person mixing the track there could be too much or too little low end.
In this case the mastering engineer can boost the low frequencies. Often the mastering engineer will have access to much better sounding Eq. In this case the re-balancing can also result in a sweeter sound. Other times linear phase eq
Pages: 1 2
Photography is a common passion and for many digital photography just won't hold the same impact as film. For the same reasons digital photography is also much more user friendly. Digital photographers don't have to get it right in the lens with so many ways of digitally manipulating images it's ok not to get each shot perfect. As social media has shown us even a camera phone can give you great images without the expense of a professional camera.
Using digital as a medium might seem d
Price:
Want to get the absolute best rates and best quality when you record your album? Check us out! We provide THE best quality recording at the best rates for Nashville AND Los Angeles. You won't find better. Click here.
Mastering 3D Printing shows you how to get the most out of your printer, including how to design models, choose materials, work with different printers, and integrate 3D printing with traditional prototyping to make techniques like sand casting more efficient.You've printed key chains. You've printed simple toys. Now you're ready to innovate with your 3D printer to start a business or teach and inspire others. Joan Horvath has been an educator, engineer, author, and startup 3D printing company t
Price:
Want to get the absolute best rates and best quality when you record your album? Check us out! We provide THE best quality recording at the best rates for Nashville AND Los Angeles. You won't find better. Click here.
Dubstep Music Mastering - Part 1
I'm going to give you a 'ground up' teaching of mastering techniques that can be applied to dubstep, and then a real world example in the final part. This way is better than giving you lots of real world examples because you will end up with a true understanding of why you need to EQ and compress things in a certain way, not just copy a formula that will fail you.
Perfect your mix.
Don't presume mastering will be a magic remedy that will cure all your imperfections. You should get your dubstep mix sounding as close to perfect as you can before even thinking about mastering. Making sure you have your sounds well separated, with good subtle EQ and 3D sound stage placement (using pan, and reverb etc). Once you feel you can't do anymore using the tools available you should then turn to the tricks of mastering such as multi-band compression, linear phase EQ and brick wall limiting.
Don't master 'in the mix'.
Even thought it is very tempting to add some nice EQ and compression on the master output while you are still making / mixing the track, it is strongly advisable that you wait until you have finished until applying these processes. You will nearly always get a better final dubstep track at the end. Of course its OK to test rough mixes with some master EQ / comp, but always bounce the finished track down 'dry' and make a backup copy before you start mastering.
Get some body else to do it.
One of the most important things a professional dubstep mastering engineer can bring, is a fresh set of ears. You may have listened to your track a few hundred times and have become accustomed to its flaws, its therefor recommended to outsource this final part of the process. There are plenty of on line service that offer tracks for around 30.00 (2009). If that is not an option, you could always ask a friend.
Less is more.
Every time you apply a dubstep mastering process you are risking degrading the quality of the audio, even simply adding 'normalization' or gain change can add small unwanted artifacts to the file. So always plan your processes and try and use as few as possible. So instead of normalizing at the start and at the end, just do it once at the end etc.
Meet load of producers of dubstep Talk about dubstep and get dubstep tips at our dubstep forum
Want to get the absolute best rates and best quality when you record your album? Check us out! We provide THE best quality recording at the best rates for Nashville AND Los Angeles. You won't find better. Click here.
Dubstep Music Mastering - Part 5
Know your limit.
Even the very best dubstep limiters have their limits before they cause distortion. Get to you know yours, and exactly how far you can push it with it having a detrimental effect on your master.
Flatten it out.
Timbre is important to how we perceive loudness in dubstep, so make sure a good amount of time is spent trying to achieve a flat frequency. You can do this easily by using a spectrum analyzer and finding the peaks. The best tool to cope with these is a linear phaser EQ because it will correct the frequency imbalance while also being very transparent. The first time i heard a linear phase EQ, I thought it was a joke because even cranking the effect would not have any real audible results, however that is the point of it. To give you equalization with out adding any of its own 'character' to the mix. Very cleaver dubstep tip.
Secrets of dubstep mastering.
Limiters are not the only way to create loudness, sonnox's 'inflator' is a brilliant way of giving the perception of loudness with out resorting to brick wall limiting. Distortion in small amounts can also work wonders and not forgetting multi band exciters to tickle the top and the bottom of your track to add extra sparkle and energy.
Hows your bottom end?
The bass end is vitality important to a good dubstep mix. Start from the ground up, use high pass filters on nearly all, if not all instrument tracks so the bass has its own defined space from around 100hz and bellow. To further enhance the bottom end, you might want to use a high pass filter on the whole mix, filtering out any frequencies under 22-25hz. The 'subsonic' frequencies will take up a lot of head room, and provide almost no audible gain, best to cut them out.
Safety precautions.
When processing the final 'normalize' of the dubstep master, opt for -0.1db. This will ensure you get no clipping anywhere on the track and that your hard work will not be ruined when the duplication house rejects the master for clipping reasons.
Mind the gap.
Don't cut the start of your dubstep track to the very first waveform, leave a few milliseconds so that your track is not compromised when a CD player DE-mutes or when the CD drives spins up on a digital system.
Fades.
Experiment with different fade outs on your dubstep track, the standard linear fade is rarely the best option.
Dithering.
This should only ever be preformed once during the mastering process and is best left until last.
Use time gaps creatively.
Use the previous tracks tempo to work out when the next track should start, or using the same principal but a few milliseconds before to make the track jump out!
Verbatim.
Although technically cheap CD's and expensive CD's will have the same quality (being a digital format, 0's and 1's cant be miss represented) the burn dye on more expensive CD-Rs will hold the data longer, and you will
Pages: 1 2
Follow us:
