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The Effects Of Using An Audio Compressor

The Effects Of Using An Audio Compressor

Audio Compressors do more than just change the dynamic range of a song or track. Audio compressors do allot more than you think they do and I’ll explain what some of these things are.
When using a compressor during tracking (hardware compressor if your recording into a program like pro tools or sonar) it will allow the engineer to record the track at a higher level than normal. Like if the compressor decreases your signal level by 4dB on the hottest parts, the entire tack can be recorded 4dB higher to make up the reduced gain. This will make the soft passages of the track hotter as the loud passages will be least affected. While the compressors really control the loud passages, the final result is an increase in the soft passage levels.
A lead vocal track that is compressed will sound more up from in the mix, when compression is used correctly.
Bass guitars are most always compressed. Because of the low frequencies it possesses. If not tamed, the low frequencies will saturate the overall mix level and this can make your song level artificially hot. When the bass guitar is compressed correctly, the low will be tamed and your mix can be mixed and mastered at a proper level.
The pumping effect is an effect of a compressor when the level control of reducing the gain as the amplitude passes the threshold. Then it turns it back up when the signal falls below the threshold.
The breathing effect is the same as the pumping effect, but the breathing effect is heard with high frequency airy sounds only.
After reading these things, you now can see what I was talking about when I said, “audio compressors do allot more that just change the dynamic range of a track or song.

I hope you learned some tips from this article and I hope you put them into practice during your next audio recording or audio mixing session.

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The Art of Digital Audio Recording: A Practical Guide for Home and Studio

The Art of Digital Audio Recording: A Practical Guide for Home and Studio

The Art of Digital Audio Recording: A Practical Guide for Home and Studio

Making great audio recordings requires striking the right balance between technical know-how and practical understanding of recording sessions. Even in the digital age, some of the most important aspects of creating and recording music are non-technical and, as a result, are often overlooked by traditional recording manuals. The Art of Digital Audio Recording teaches readers what they really need to know in order to make great sound recordings with computers - both the practical and the technica

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[Microphone REVIEWS] The Best Mic for Your Videos (Audio Tutorial)

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PreSonus StudioLive 16.4.2 Digital Audio Sound Mixer – Review

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Basics of audio compressors

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The Mastering Engineer’s Handbook: The Audio Mastering Handbook

The Mastering Engineer's Handbook: The Audio Mastering Handbook

The Mastering Engineer's Handbook: The Audio Mastering Handbook

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Audio Compressor Tips

Audio Compressor Tips

A compressor is an mechanical volume control that turns loud parts of a music signal down when the VCA see’s the signal larger than a certain level that was set by the user. This makes us able to bring the complete volume of the song up and in return, the softer sounds get louder. In return, we can print the entire track with a louder signal level. Its a fantastic tool for recording instruments with a wide dynamic range.

The 5 Parameters of a Compressor:
Threshold is the point where the compressor starts recognizing the signal’s amplitude. When the amplitude rises above an established, it will start to act in a way defined by the attack time, release time and ratio settings. There are 2 ways that the threshold works. It can boost the signal up into the threshold or it can be moved down into the signal. In both the ways, the only part of the audio that gets processed is the part that goes above the threshold.. After the signal goes above the threshold, the VCA turns down the part that is above the threshold, leaving the rest of the signal unaffected.

Attack Time controls the amount of time it takes the compressor to turn down the signal after it passes the threshold. The attack time need to be adjusted just right. If its set to fast, then the compressor can turn down the transients and that can cause the instrument or song to lose its life.It can also effect vocals if its set to fast by making the ‘t” and ‘s’ sounds disappear. The opposite can happen if the attack time is set to slow. It will exaggerate the ‘t’ and ‘s’ sounds because it will pass through uncompressed because of the long attack time.

Release Time is the time it takes the compressor to let go or turn the affected signal back up when It gets below the threshold.

Fast release times work very well with the fast attack times and slow release times work very well with the slow attack times. Release settings are crucial, because if its set to fast, it can boost noise that is between the notes and if its set to low, it can compress a quieter note that follows the note the was above the threshold.

Ratio determines how extreme the VCA action will be. The ratio is a comparison between what goes through the threshold and the output of the VCA. The first number of the ratio will indicate the increase of how much dB will result in 1dB of increased output. The higher the ratio is, the more compression there is.

Output Level makes up for reduction of gain that the VCA causes. If the was reduced by 5dB, the output level can boost the signal back to its original level.

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Mastering Audio: The Art and the Science

Mastering Audio: The Art and the Science

Mastering Audio: The Art and the Science

Written by an award-winning, highly respected professional, Mastering Audio gives you a thorough introduction to the unique procedures and technical issues involved in mastering.

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Garrison Pro Audio Chosen to Consult and Build New State of the Art Recording Studio

Garrison Pro Audio Chosen to Consult and Build New State of the Art Recording Studio

Victor Gardner, CEO of Garrison Pro Audio is proud to announce that Garrison Pro Audio has been chosen to consult and build a new state of the art recording studio and facility. Construction of the new facility is scheduled for January 2011.

The new high tech recording studio will be located in the North Hollywood area of California and will feature high quality digital recording equipment dedicated to the highest quality recording, editing and mix-down. The studio will be built to handle all major recording and editing projects in order to produce a high quality sound for artists of all genres.

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About Garrison Pro Audio

Victor Gardner founded Garrison Pro Audio in 1999 in order to provide top-notch audio and visual equipment to recording and performing artists throughout California.

Victor Gardner and Garrison Pro Audio have built their brand to focus on the entertainment industry and offer the best in high tech equipment. As technology advances, new equipment emerges to meet audio and visual production needs and Garrison Pro Audio follows the technology trends avidly in order to provide a diverse range of high quality equipment inventory.

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