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We all know the feeling, you've got your lyrics at the ready, computers on, microphones set up, you've recorded the perfect take..., its time to listen back to the recording. If only you get get the quality to sound as dry and as perfect as a studio recording. Well now you can, and why not take advantage of our limited offer which will run out soon.
Your Editors Keys Portable Vocal Booth / Sound booth 'Home Version' attaches itself to your own microphone stand and allows for great recording con
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Achieve quality sound performance and style with Pyle"s Classic Retro Microphones. The PDMICR68 vintage series dynamic mics will provide you with that old-school flavor along with today"s latest audio reproduction technology. Apart from the iconic stage and studio-tested design, these classic mics feature dynamic moving coil elements, adjustable self-tensioning swivel mounts, cardioid polar patterns, impressive frequency response rates and more -- all to create an overall fantastic look and feel
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Get vocal performance tips when recording an album in Nashville in this free video series that will ensure that you will have a good experience recording you...
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Rode NT1A Vocal Condenser Microphone The NT1A Anniversary Model is a complete redesign of the now legendary NT1 classic studio microphone. From the new nickel plated body to the state of the art surface mount electronic circuitry, the NT1A will leave you asking "how can RODE offer a microphone that sounds this good, for so little money"? This redesigned version of RØDE's classic NT1 has only 5 dBA of self-noise. NT1A Anniversary Package The NT1A Anniversary model includes a premium s
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Shure Super 55 Deluxe Vocal MicrophoneView larger View larger Shure Super 55 Deluxe Vocal Microphone (Chrome) The Super 55 features the vintage design of the original iconic vocal microphone with a frequency response tailored for natural-sounding vocals and speech. Description The combination of updates make the Super 55 the ideal choice when looking for a dramatic - yet affordable - improvement in sound quality with an unmistakable vintage design. Ideal for stage, studio recording, podcasting,
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Achieve quality sound performance and style with Pyle's Classic Retro Microphones. The PDMICR42 vintage series dynamic mics will provide you with that old-school flavor along with today's latest audio reproduction technology. Apart from the iconic stage and studio-tested design, these classic mics feature dynamic moving coil elements, adjustable self-tensioning swivel mounts, cardioid polar patterns, impressive frequency response rates and more -- all to create an overall fantastic look and feel
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Vocal Recording Tips
The lead vocal track needs special attention so it can maintain its visibility and impact throughout the entire song.
1. You need to determine what the best sounding signal path is for that specific vocalist:
This is the most time consuming overly repetitious task. But in the end, when you find the right gear that fits your vocalist, your pay off will be golden.
2. Mic placement is an important in getting that great vocal sound:
There are two issue to consider. The position of the mic in the room. You need to find the the best part of the room to record in. Not all corners, spaces and walls sound alike. This needs to be done way before the vocalist enters the room/studio by trial and error.
The other issue is position of the mic, to the singer. There are 2 factors to consider that effect the sound. One is the angle of the mic, to the singer and the other is the space between the mic and the singer. both are very important factors.
The Proximity Effect- The closer the singer is to the mic, the more bass frequencies are enhanced. This can be used as a tool, by having the singer move closer or farther away from the mic, depending on the mood of the vocal passage.
The mic of choice for most singers is a cardioid condenser mic and a good starting point for this mic is about six to eight inches away form the mic capsule. If the voice sounds to thin, then you move the singer up a bit to use the proximity effect. Be careful, moving only an inch or so will increase the bass and fullness allot. If the sound is too big, then move the singer back a bit. Its a balancing act.
If your using an omnidirectional mic or an omnidirectional pattern setting, there will be no proximity effect. so moving the singer back and forth will only create distance and the bass frequencies will not be enhanced as the singer moves toward the mic.
The omni pattern is is a good mic to use if the singer cannto stay still and/or is inexperienced in vocal recording. but this mic has its fall backs, since it picks up all directions equally. you need a very quiet room to use this mic.
The effects of a condenser mic on axis and off axis with the singers mouth are very important. When a condenser mic is on axis to the singers mouth, the sound is harsher and brighter. When the mic is off axis to the singers mouth, the sound gets a bit warmer and darker. This is due to the sound hitting the mic capsule.The mic capsule captures the singers chest resonance and by changing the axis of the capsule, you change the sound that mic records. An off axis tilt towards the ceiling can help prevent popping and sibilance.
online mastering
mix and master
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Motown Vocal Recording Techniques
Motown vocal recording techniques (Motown is the greatest black music record companies, we know Michael Jackson, Stevie Wonder, Marvin Gaye, Diana Ross ... ... and many other black singers are from here to success. From 60 since, Motown the sound engineer to create a number of innovative and effective recording method .- LOBO Note)
If you dug out Frank Sinatra's recording to hear that, you will find when the sound engineer used to voices beyond the volume above the band "release" in front of the sound field, sound accompaniment of the sound poor crowded After the position is. For the Motown rhythm that is full of vibrant and the music, this recording method simply can not arouse the audience's emotions, let alone young people with dance.
Motown recording engineer began to experiment with new techniques: put more reverb in the accompanying music, while the reverb sounds of the historic adjustment to the degree of reverberation is less than accompaniment, this way music is highlighted, but the people gentle voice sang the part of music is often inundated, how do?
Yes, just as we thought it would, compression devices and balanced regulator comes in handy, through compression and high boost, the human voice is really clear and could be heard from beginning to end, and yet it does not sound natural, lack of energy and dynamic changes.
Sound engineer Lawrence Horn came up with a brilliant idea. He voices the same signal into two-way, all the way do not do compression direct access console, and then another road through the compressor into the mixer, so he will have two-way signals. That way the non-compressed signal, Lawrence a little bit to enhance high frequency, and put reverb.
That the way to the compressed signal, not only with very severe compression, high-frequency have a significant upgrade with the equalizer. Then when in the mix, Lawrence to uncompressed signals that play full volume, while the volume of compressed slowly raise it all the way until the sound man sound can add enough clarity and on-site flu.
After such treatment, the effect of the human voice come out great, both natural and bright, will not cover up the sounds of music, you could hear every word sung by singers!
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The classic look and feel from the 50's and 60's Shure's Unidyne II mic has been updated in the 55SH Series II. This is a cardiod dynamic mic designed for vocal reproduction. A nostalgic reproduction, this model has modern performance characteristics, like 50-15,000 Hz frequency response. Instantly recognized by audiences and performers worldwide, this classic mic was among the originators of the Shure sound. Low-impedance mic. The Model 55SH Series II provides the Shure classic UNIDYNE� II d
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