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Bass guitarist Paul Kingston didn’t kill his old friend Billy Reno. But the cops say he did, and he’s got no alibi. He’s about to start the biggest recording gig he’s landed in years, and now he’s wanted by the law.
Hounded by an overzealous police detective, stalked by a crazy homeless girl who claims Billy sent her, and struggling to make the recording sessions that can pull his music career out of limbo, can Paul find the real killer before the cops haul him away?
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Various Play Modes: Normal；Repeat Once；Repeat All；Repeat Folder；Random, Intro. Plays Video (AMV)| Music (MP3) | Pictures (JPG, BMP)| Ebooks (TXT) | Voice Recorder. Dividable 8G memory for private space function, Usb2.0 guarantees high speed transfer. We are not only your best choice, but the beginning of the service customer.
Note: This product is provided by Goldenseller
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Imagine the time and energy it would take you to: Locate every state licensed music agent Locate every legitimate music manager Verify that they do not charge fees Verify music agency address is correct Verify they are actively seeking music talent Verify they are still in business Then type each address on a mailing label Showbiz Music Agent Labels do all of the work for you. Every one of the show business lists are updated monthly. Just peel, stick and mail!
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Now 53: That's What I Call Music
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The music hall mmf-5.1le turntable is a two speed belt driven audiophile turntable employing the unique dual-plinth construction originated by music hall.feature listmusic hall’s unique dual plinth constructiongorgeous high gloss ferrari red finishtop tier one piece alloy tonearmflexible internal tonearm wire drawn from high purity coppercounterweight’s center of gravity is level with the stylus tipresonance damping counterweight is decoupled from the tonearmseparately isolated asynchronous
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Music Production Controller - Slim line
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What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other―including gender, social status, and the role of the Church―to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how
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