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Neewer Mini Compressor Pedal Ultimate Comp Guitar Effect Pedal, Aluminum Alloy Optical Compressor with 1/4-inch Mono Audio Jack Normal, Treble Compression Modes for Guitarists Play on Stage

Neewer Mini Compressor Pedal Ultimate Comp Guitar Effect Pedal, Aluminum Alloy Optical Compressor with 1/4-inch Mono Audio Jack Normal, Treble Compression Modes for Guitarists Play on Stage

Neewer Mini Compressor Pedal Ultimate Comp Guitar Effect Pedal, Aluminum Alloy Optical Compressor with 1/4-inch Mono Audio Jack Normal, Treble Compression Modes for Guitarists Play on Stage

  • Widely used by guitarists to compress the music, preferred by country singers, funky guitarists and other guitarists who want to avoid abrupt low or high sound during the performance
  • Enable the music to be sounded from a subtle barely noticeable effect to a thick, dampened squish; Every note played will be at nearly the same amplitude, and therefore nearly equal in volume;It will provide a smooth compressed tone while maximizing the punch of your notes
  • 2 Working Modes: Normal and Treble compression. Give you extra option to choose the moderate mode; And it is easy to shift the mode, you just need to push the small iron rod up and down
  • Classic Design: Made of aluminum alloy material, classic mini size; The bypass footswitch and mode control rod are made of sturdy aluminum alloy, practical and flexible; And other knobs are coated with non-slip plastic, convenient for manipulating with hands
  • Has passed FCC, CE, ROHS test, the quality is reliable; True bypass provides transparent tone; Easy to control, a manual is coming with the product; The LED indicator shows the status of effect pedal

Description The compressor pedal can sound anything from a subtle barely noticeable effect to a thick, dampened squish. The benefit of a compressor lies in that every note played will be at nearly the same amplitude, and therefore nearly equal in volume. This will help normalize tones that are sometimes lost in the mix because of complex overtones, and it will result in a more articulate sound and provide a smooth compressed tone while maximizing the punch of your notes Various Usages One use fo

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List Price: $ 25.99

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Recording Tips For Guitarists

Recording Tips For Guitarists

Recording music is a totally different beast from playing live. And whether you're going into a big studio or doing it on your own with a laptop and a DAW, there's a few guitar-specific things you can do to make the whole process go faster and sound better.

1. Use new strings - You want your guitar to sound it's best even if you're working with a off-brand copy of Korean knockoff of a Strat.  And new strings are the easiest way to improve things.  They'll give the engineer a good bright sound to work with.  Make sure they're good and stretched out so they don't go out of tune in the middle of the song.  I usually put my new ones on the day before recording.  If you're doing a lot of recording on a regular basis, make sure to change them every one to two weeks.  Otherwise you can end up with different sounding strings on different takes of a song, making it more difficult to edit later.

2. Tune before every take - On a similar note, you should tune your guitar before every take.  I'll admit I'm they guy the engineer is always yelling at tune before takes.  Extra weird when I'm recording at home.  Your guitar probably won't be that out of tune, but keeping it fine tuned will, again, make editing takes much easier later on in the mixing process.

3. Pre-Production - Pre-production is a fancy word for "practice before you get there".  You have some leeway here if you're working in a home studio.  But if you're paying for studio time, you want to get in and get out as fast as possible.  That means having your parts totally down before you step foot in the place.  And that means making sure your bandmates have their act together too.  And I always recommend playing the song live a lot before recording it, if possible.  It will make the arrangement tighter and let any natural changes happen so you can get the best performance possible on tape.  It's like letting the song marinate before cooking it.

I made the mistake once of recording a whole song in the key of G.  Then finding out that I couldn't sing it in the key of G.  We had to record all the pitched instruments again in the key of F.  You can bet that cost me a few extra bucks.  Learn from my boo-boos young padawan.

What about guitar solos?  If you're the type that likes to compose your solos, make sure it's done before getting in the studio.  If you like to let 'er rip of the fly, that's cool too.  But be sure that you've improvised your solo on that song at least 100 times before recording.  If you have to do more than 3 or 4 takes to get a solo you like, you're blowing cash.

4. Leave off non-essential effects until mixing - The cleaner the signal going into the board, the more leeway you have to make changes later during editing and mixing.  You want to have a good basic sound recorded and you can add all the gooey reverb and delay you want later on. 

So, what's considered

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