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The Urban Sketching Handbook: Drawing with a Tablet:Easy Techniques for Mastering Digital Drawing on Location (Urban Sketching Handbooks)

The Urban Sketching Handbook: Drawing with a Tablet:Easy Techniques for Mastering Digital Drawing on Location (Urban Sketching Handbooks)

The Urban Sketching Handbook: Drawing with a Tablet:Easy Techniques for Mastering Digital Drawing on Location (Urban Sketching Handbooks)

In Drawing with a Tablet: Easy Techniques for Mastering Digital Drawing on Location, readers will learn step by step how to create amazing drawings while on the go.

In the sixth volume of the Urban Sketching Handbook series, popular artist and workshop instructor Uma Kelkar shows sketchers how to take their digital drawing to the next level. Whether you are new to sketching or wish to try the latest technology, this useful guide shares expert tips and techniques for drawing on a ta

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Hotel Mariachi: Urban Space and Cultural Heritage in Los Angeles (Querencias Series)

Hotel Mariachi: Urban Space and Cultural Heritage in Los Angeles (Querencias Series)

Hotel Mariachi: Urban Space and Cultural Heritage in Los Angeles (Querencias Series)

  • Author: Kurland, Catherine L./ Lamadrid, Enrique R./ Gandert, Miguel A. (PHT)/ Ordaz-molina, Evangeline (INT)
  • Book Type: NF
  • Dewey Classification: 919.794/9406
  • Language: ENGLISH
  • Library of Congress Number: 2013000148

In Boyle Heights, gateway to East Los Angeles, sits the 1889 landmark “Hotel Mariachi,” where musicians have lived and gathered on the adjacent plaza for more than half a century. This book is a photographic and ethnographic study of the mariachis, Mariachi Plaza de Los Angeles, and the neighborhood. The newly restored brick hotel embodies a triumphant struggle of preservation against all odds, and its origins open a portal into the Mexican pueblo’s centuries-old multiethnic past.Miguel Ga

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That Urban Country Look

That Urban Country Look

Farmers up and down the land have fallen prey to a bizarre new fashion. Gone are the overalls, wellies and woolly hats, replaced as they are by a new-found taste for Saville Row tailoring and haute couture. The look represents a wholesale migration of city high fashion to the fields and lanes of bucolic Britain. Even the animals are beginning to register surprise at the sartorial turnaround, but farmer style gurus are dismissing it as jealous bleating.

Of course, this isn’t really happening. If you’re a country type reading this who’s just about to go online in fear of missing the wave of style, stop right there. But something equally interesting certainly is happening on the streets of British cities: the urban country look.

Shamelessly utilitarian in nature, the look draws heavily from a dressing down culture that has been threatening to sweep the nation since the late noughties. It can partly be explained by an economic downturn, although not purely in terms of financial wherewithal (the clothes aren’t necessarily inexpensive) but in trying to capture the spirit of the day. However such explanations provide only half the answer. After all, it’s during times of economic woe that people turn to their inner creativity to pull off boutique looks on a budget; think of any period of chic and you’ll probably see a gathering storm or ongoing crisis inspiring a luscious devil-may-care attitude. It could even be argued that it’s at times of wealth that the fashion houses have it easy and produce production-line looks aimed more at newspaper columnists than the street.

So how can the urban country look be summed up? Well the title does a pretty good job, but if you’re after details you have to think more of a blend of high street fashion with outdoor accoutrements. A pair of skinny trousers with a tweed jacket, sturdy shoes and a woolly hat can be seen as a sort of archetype, primed to be accessorised and modified. The downbeat air can even be enhanced by a little well placed staining or patching, and if you’re a male the clean-shaven face has to be considered a bit of a no-no if you’re trying to pull off the whole vibe.

An important aspect of the look is, as with any look, attitude. Remember, it’s only a style; you are still an urban fox, getting through day to day life in the big, bad city, surviving on your wits and your contacts. You don’t have to pretend you’re fresh off the 8:21 from Windmillville, pointing at buildings over three stories high and asking passers-by where you can get a ploughman’s sandwich (the answer is Boots, by the way).

Country style does encroach on the city street from time to time, so checking out a vintage clothing store can be a good and inexpensive way to start building your look. You’ll also find mainstream interpretations of the look on the high street (if that’s your thing) or, don’t forget, you can go straight to source and find some authentic

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Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935–1968 (Refiguring American Music)

Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935–1968 (Refiguring American Music)

Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935–1968 (Refiguring American Music)

  • Used Book in Good Condition

Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican American Mojo is a lively account of Mexican American urban culture in wartime and postwar Los Angeles as seen through the evolution of dance styles, nightlife, and, above all, popular music. Revealing

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